Untitled Work

For over two decades, my photographic work has centered on the multifaceted experiences of Muslim women, particularly at the intersection of Islamic, American, and African cultures. The struggle for equity within various societal contexts deeply informs my artistic practice, reflecting my personal journey and the profound influences of my upbringing in a large polygamous family with 30 siblings.

In my creative process, I design and sew specific garments for each image, a practice I began at age eight. This lifelong fascination with fabric allows me to explore how textures, prints, and patterns convey individual stories while weaving together cultural narratives. By blending traditional materials with contemporary styles, I create visual reminders of the coexistence of diverse worlds.

Using a 4x5 view camera, I construct double-exposed self-portraits that serve as a cathartic visual diary. Each image requires meticulous attention to detail and positioning, often taking hours to perfect under studio lights. Through these compositions, I capture the complexities of my experiences and the layered realities of my identity.

As my work has evolved, I’ve shifted from a focus on self-identity to a broader exploration of America's nuanced relationship with Islam and the African Diaspora. I invite viewers to engage thoughtfully with these themes, fostering dialogue around the social implications faced by the Muslim community. My art aims to illuminate the beauty and resilience found within these narratives, encouraging a deeper understanding of our shared humanity.